Born

1958, El Paso, Texas
Lives and works in New Mexico

Education

San Francisco Art Institute, San Francisco,
California, BFA in Drawing and Printmaking

Selected Collections

Museum of Modern Art, New York, NY
The Brooklyn Museum, New York, NY
Harvard University Art Museums, Cambridge, MA
Yale University Art Gallery, New Haven, CT
Philadelphia Museum of Art, Philadelphia, PA
University of California at Los Angeles Hammer Museum, CA
The Menil Drawing Institute, Houston, TX
Museum of Fine Arts, Houston, TX
Judd Foundation, Marfa, TX
Sarah-Ann and Werner H. Kramarsky, New York, NY
The Arkansas Art Center, Little Rock, AR
Cedar Rapids Museum of Art, IA
The Columbus Museum, Columbus, GA
El Paso Museum of Art, El Paso, TX
The Chase Manhattan Bank, New York, NY
Weatherspoon Art Museum at the University of North Carolina, NC
New Mexico Museum of Art, Santa Fe, NM
San Angelo Museum of Fine Arts, TX

Awards

2004

• First Prize, El Museo de las Culturas del Norte, Casas Grandes, Chihuahua, Mexico, “Simbolos y Sitios”

Exhibitions

2021

• New Bedford Whaling Museum, New Bedford, MA “A Wild Note of Longing, Albert Pinkham Ryder and a Century of American Art” co-curated by William C. Agee
• New Mexico Museum of Art, Santa Fe, NM

2019

• FOMA, Santa Fe, NM, Inaugural Exhibition
• New Mexico Museum of Art, Santa Fe, NM "Bringing Together – Recent Acquisitions
• Bareiss Gallery, Taos, NM “Notes on the Landscape”

2017

• SITE Santa Fe, Studio Installation, Santa Fe, NM
• San Angelo Museum of Fine Art, San Angelo, TX, “Invitational Exhibition”
• El Paso Museum of Art, Selections from the Permanent Collection
• Gruet Tasting Room, Santa Fe, NM, “Heller Levinson – Linda Lynch”
• Gibson Art Projects, Berkeley, CA “Heller Levinson - Linda Lynch”
• The Red Room, New York, NY “Heller Levinson – Linda Lynch”

2016

• El Paso Museum of Art, Selections from the Permanent Collection

2015

• MADE “MADE: Santa Fe, Maximal Minimal” curated by Katarina Wong, New York, NY
• University of Richmond Museums, Richmond, VA, “Anti Grand: Contemporary Perspectives on Landscape”

2013

• El Paso Museum of Art, Selections from the Permanent Collection

2011

• Katonah Museum of Art, Katonah, NY “Drawn/Taped/Burned: Abstraction on Paper”

2010

• Cedar Rapids Museum of Art, Cedar Rapids, IA “Drawn to Drawing”

2009

• Moody Gallery, Houston, TX "Two Views from an Arid Place"
• Museo de Arte Contemporaneo Esteban Vicente, Segovia, Spain, "New York/New New Drawings 1946-2007" works from the Sarah-Ann and
  Werner H. Kramarsky collection
• Studio of Suzi Davidoff, El Paso, TX "Art Four One Day"

2008

• The Watermill Center, Water Mill, NY, "marlene dietrich in dr. no's ludovico-clinic" the 15th Annual Watermill summer benefit, Byrd Hoffman Watermill Foundation
• El Paso Museum of Art, El Paso, TX and Museo de Arte, Ciudad Juarez, Mexico "Binational 2008" curated by Ruth Fine and Luis-Martin Luzano

2007

• El Paso Museum of Art, El Paso, TX “Sister Cities Testing Boundaries: Art and Artists Along the U.S./Mexico Border”

2006

• Museum of Fine Arts, Houston, TX, “In Series: Recent Accessions in Prints and Drawings at the MFAH”

2005

• Kiang Gallery, Atlanta, GA, “Marked Proximity”
• Arthouse at the Jones Center, Austin, TX, “5 x 7”

2004

• Davis Museum and Cultural Center, Wellesley, MA, “Infinite Possibilities: Serial Imagery in 20th Century Drawings”
• El Museo de las Culturas del Norte, Casas Grandes, Chihuahua, Mexico, “Simbolos y Sitios”
• Arlington Museum of Art, Arlington, Texas, “Common Ground: Vessels by Bonnie Lynch and Works on Paper by Linda Lynch” Curated by Billy Hassell

2003

• Santa Barbara Contemporary Arts Forum, Santa Barbara, CA, “Fine Lines”
• University of Massachusetts, Amherst, MA, "In the Making: Contemporary Drawings from a Private Collection"
• Karolyn Sherwood Gallery, Des Moines, Iowa, "Up Close and Personal"

2002

• The Drawing Center, New York, NY, "25th Anniversary Benefit Selections Exhibition"
• 560 Broadway, Werner H. Kramarsky, New York, NY "Ad Infinitum"
• Museum of Fine Arts, Houston, TX "Recent Acquisition"
• Studio, Johannesburg, South Africa "Recent Drawings from Africa"

2000

• Pollock Gallery/Division of Art, Meadows School of the Arts, Southern Methodist University, Dallas, TX
• "Contemporary American Drawings from the Sally and Werner H. Kramarsky Collection"

1999

• 560 Broadway, Werner H. Kramarsky, New York, NY "Linda Lynch, Drawings Bonnie Lynch, Vessels"
• The Arts Alliance of Clear Lake, Clear Lake, TX "Six Artists"
• El Paso Museum of Art, El Paso, TX "Refocus II"

1998

• Dallas Visual Art Center, Dallas, TX, "1998 Critics Choice" curated by Elizabeth Ferrer, Director, Austin Museum of Art and Stephen Vollmer, Curator, El Paso Museum of Art

1997

• El Paso Museum of Art, El Paso, TX, "Landscapes: New World/Old World, Changing Perspectives of the Western Eye"

1994

• Hunter College, New York, NY, "Invitational" curated by the Department of Fine Art Faculty of Hunter College; Invitation of William C. Agee, Department of Art History
• University of Texas at El Paso, El Paso, TX, Glass Gallery, "Faculty Exhibition"

1993

• El Paso Museum of Art, El Paso, TX, Focus Gallery, “Road Furrow Hill Ridge Sky" solo exhibition of new paintings and drawings

1992

• Brent Gallery, Houston, TX, "Texas Roundup"

1991

• Sul Ross Universtiy Art Gallery, Alpine, TX “Linda Lynch: Works on Paper” solo exhibition
• Downey Museum of Art, Downey, CA, “Contemporary Visions of the Virgin of Guadalupe”
• Consulate General of the United States and the Instituto Nacional de Belles Artes “IX Annual Exhibition” Museo de Arte del INBA, Ciudad Juarez, Chihuahua, Mexico; travelled to Museo Regional, Ciudad Chihuahua, Chihuahua, Mexico
• Adair Margo Gallery, El Paso, TX, “The Landscape: Linda Lynch and Susan Davidoff”
• Elita T. Agee Fine Arts, Bronxville, NY
• Juntos Art Association, El Paso, TX, “Ten Artists”
• El Paso Community College, El Paso, TX, “Women’s Work”
• The Bridge Center for Contemporary Art, El Paso, TX, “Heartworks” invitational

1990

• Museo Regional, Ciudad Chihuhua, Chihuahua, Mexico, “Linda Lynch: Obra Nueva” solo exhibition
• The Berkshire Museum, Pittsfield, MA, “1990 Exhibition of Works on Paper” curated by Charlotta Kotik, Curator of Contemporary Art, The Brooklyn Museum, NY
• The Century Association, New York, NY, “Collector’s Exhibition: New Acquisitions”
• Elita T. Agee Fine Arts, Bronxville, NY
• Epoche Gallery, New York, NY, “Short Stories: An Exploration into the Narrative”
• Bronx Council on the Arts, New York, NY, Longwood Arts Project at P.S.39, “Invitational/Defining Works on Paper
• The Bridge Center for Contemporary Art, El Paso, TX, “Heartworks III”

1989

• Adair Margo Gallery, El Paso, TX, “The Landscape in Black and White”
• Consulate General of the United States and the Instituto Nacional de Belles Artes “Mountains and Deserts” Museo de Arte del INBA, Ciudad Juarez, Chihuahua, Mexico; travelled to Museo Regional, Ciudad Chihuahua, Chihuahua, Mexico
• Elita T. Agee Fine Arts, Bronxville, NY

1988

• Elaine Benson Gallery, Bridgehampton, NY, “The New Generation”
  curated by Werner H. Kramarsky

1987

• Elita T. Agee Fine Arts, Bronxville, NY

1986

• The Drawing Center, New York, NY “Selections 33”
• 101 Spring Street, New York, NY, “Benefit for the War Resisters League” curated by
  Donald Judd
• Elita T. Agee Fine Arts, Bronxville, NY

1981

• Diego Rivera Gallery, San Francisco Art Institute, San Francisco, CA

Bibliography

2021

• “Lurk” Heller Levinson, cover artwork and design by Linda Lynch

2020

• “A Wild Note of Longing, Albert Pinkham Ryder and a Century of American Art” New Bedford Whaling Museum, Exhibition Catalogue; illustration
• “Poetics for the More-Than-Human World, An Anthology of Poetry and Commentary” Edited by Mary Newell, Bernard Quetchenbach, and Sarah Nolan; illustrations and collaboration with poems by Heller Levinson
• “The Art of Linda Lynch” experi.blogspot.com
• “Seep” Heller Levinson, cover artwork and design by Linda Lynch, illustrations; published with limited edition lithograph by Linda Lynch, printed by Hand Graphics, Santa Fe, New Mexico

2019

• “the Stroll” Tempo Taos’ Art & Entertainment Magazine, illustrations
• “Notes on the Landscape” taoStyle.net, illustrations
• “Un –” Heller Levinson, cover artwork and design by Linda Lynch; internal illustration and interview

2018

• “LinguaQuake” Heller Levinson, cover artwork and design by Linda Lynch, with Karst, Heller Levinson & Linda Lynch
• “Heller Levinson & Linda Lynch Karst” Alligatorzine, www.alligatorzine.be, Brussels, Belgium
• “Ephesus Glom Part Two: An Interview with Heller Levinson & Linda Lynch” Illustrations by Linda Lynch, X-Peri, www.ex-peri.blogspot.com

2017

• “tenebraed” Heller Levinson, cover artwork and design by Linda Lynch
• “Heller Levinson & Linda Lynch Thorned Landscape” Alligatorzine, www.alligatorzine.be, Brussels, Belgium

2015

• University of Richmond Museums, Richmond, VA, “Anti Grand: Contemporary Perspectives on Landscape” Illustrations/interview catalog
• “Wrack Lariat” Heller Levinson with Kurt Devrese and Linda Lynch, cover artwork and design, internal artwork by Linda Lynch

2014

• Of/With: Journal of Immanent Renditions, opening illustrations, inaugural edition, www.ofwith.com
• Sugar Mule, Literary Magazine of Prose and Poetry, cover illustration www.sugarmule.com
• “Heller Levinson & Linda Lynch – encroaching velocity” Alligatorzine www.alligatorzine.be, Brussels, Belgium

2013

• “Hinge Trio” Talisman: A Journal of Contemporary Poetry & Poetics www.talismanmag.net, USA. Review by Matt Hill
• "Heller Levinson & Linda Lynch - warbling like ostracized banana" and "Heller Levinson & Linda Lynch - in the dark hour of forlorn this" Talisman: A Journal of Contemporary Poetry & Poetics www.talismanmag.net, USA
• “Hinge Trio: Heller Levinson, Linda Lynch, Felino A. Soriano” La Alameda Press, Albuquerque, NM, limited edition drawing/poetry collaboration

2012

• “Heller Levinson & Linda Lynch bowl arachnid spool thread” Alligatorzine, www.alligatorzine.be, Brussels, Belgium

2011

• “Heller Levinson & Linda Lynch – empty drawings” The Jivin’ Ladybug, www.jivinladybug.wordpress.com, USA
• “Heller Levinson & Linda Lynch – lines erupting” The Jivin’ Ladybug, www.jivinladybug.wordpress.com, USA
• “Heller Levinson & Linda Lynch – lines like parlous adumbrate” Caliban, Issue #2, www.calibanonline.com, USA
• “Drawn/Taped/Burned: Abstraction on Paper, www.aboutdrawing.org/drawn/taped/burned/, USA
• “From Stone This Running” Heller Levinson, cover artwork by Linda Lynch

2010

• “Heller Levinson & Linda Lynch with line(s)” Alligatorzine, www.alligatorzine.be, Brussels, Belgium

2009

• "New York/New Drawings, 1947-2008" Museo de Arte Contemporaneo Esteban Vicente, Segovia, Spain, text and illustration

2008

• "Art Binational/Binacional de Arte 2008" El Paso Museum of Art and Museo de Arte de Ciudad Juarez/INBA, El Paso, Texas and Ciudad Juarez, Mexico, exhibition catalogue, illustration

2007

• “560 Broadway: A New York Drawing Collection at Work, 1991-2006” Edited by Amy Eshoo, 5th Floor Foundation, New York, in association with Yale University Press, New Haven and London
• “Sister Cities Testing Boundaries: Art and Artists Along the U.S.-Mexico Border” El Paso Museum of Art, exhibition catalogue, illustration

2005

• “Marked Proximity” exhibition review by Jerry Cullum, Atlanta Journal-Constitution, September 11

2004

• “Infinite Possibilities: Serial Imagery in 20th Century Drawings” exhibition review by Susan Boulanger, Art on Paper, November/December
• “Infinite Possibilities: Serial Imagery in 20th Century Drawings” Davis Museum and Cultural Center, Wellesley College, MA, exhibition catalogue, illustration
• “Art Guide” The Dallas Morning News, May 14, photograph

2003

• "Gallery show features bold expression" by Gloria Russell Sunday Republican, Amherst, MA, April 27, photograph
• "In the Making: Drawings from a Private Collection" University Gallery, Fine Arts Center, University of Massachusetts, Amherst, exhibition brochure

2002

• "Ad Infinitum" by Aruna D’Souza and Tom McDonough, New York, NY, exhibition brochure, illustration

2000

• "Collector drawn to emerging artists" by Janet Kutner, The Dallas Morning News, Sunday, February 27, photograph
• "On Drawing: A Conversation with Werner H. Kramarsky, Connie Butler, and Harry Cooper" Pollock Gallery/Division of Art, Meadows School of the Arts, Southern Methodist University, Dallas, TX, catalogue, illustration

1999

• "Linda Lynch" exhibition catalogue from "Linda Lynch Drawings - Bonnie Lynch Vessels," 560 Broadway, New York, NY
• "Refocus II" El Paso Museum of Art, exhibition brochure, illustration

1998

• "Critics Choice" Dallas Visual Art Center, Dallas, TX, catalogue, two illustrations
• "The Mission Remains the Same But the Show’s Works Hint at Change in Direction" by Mike Daniel, The Dallas Morning News, May 8, photograph

1995

• "Women Artists" Cedco Publishing Company, San Rafael, CA, calendar datebook, color illustration

1994

• “Women Artists" Cedco Publishing Company, San Rafael, CA, calendar datebook, color illustration

1993

• "Women Artists" Cedco Publishing Company, San Rafael, CA, calendar datebook, color illustration

1992

• "Linda Lynch: Cuando la Radiactividad Interfiere en el Trabajo del Artista" by Willivaldo Delgadillo, Semanario May 4, Ciudad Juarez, Mexico, photograph
• "Roundup at the Brent Gallery" Museum & Arts, Houston, TX, April
• "Museum of Art Plans Events for February" El Paso Herald Post, February 6
• "Noted Collector is Giving Museum of Art Work by Artist Linda Lynch" by Myrna Zanatell, Westside Today, El Paso, TX, June 20
• "El Paso Artist Shows Work at SR Gallery" The Alpine Avalanche, Alpine, TX, February 7

1991

• "Abstract Work in Three Materials, Pushed to the Limit" by William Zimmer, The New York Times, April 28, photograph

1990

• "The Unknown Artist’s Best Friend: Wynn Kramarsky Finds and Nurtures New Talent" by Helen Dudar, Connoisseur Magazine, September, photograph
• "A Show of Three Contemporaries in an Old English Setting" by Vivien Raynor, The New York Times, Sunday, May 6, photograph
• “Expondra Linda Lynch su Obra a los Chihuahuenses" Vanguardia, Ciudad Chihuahua, Mexico, September 2, Photographs

1988

• "New Generation Shows its Colors" by Phyllis Braff, The New York Times, Sunday, May 22, photograph